Saturday, October 27, 2012

Outstretched to the future


I grew up in a converted white clapboard church in the center of a small New England town to a family of artists and anthropologists. One side nurtured artistic creation, while the other explored, among other things, the function of art in society. My interest in clay is an intersection of these two sides, art and its function, both holy and humble. For three years, I apprenticed in the workshops of North Carolina potters Matt Jones and Mark Hewitt. Their work combines traditions, from the Anglo-Oriental school of Leach, Hamada, and Cardew to the folk pottery of the south-eastern United States and many places between. In their workshops I learned to love these simple pots; adorned or bare, quiet and strong, they make their place comfortably at the table or hearth and speak to the thousands of years of pots before them.
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