In my defence, this was more of a cremation than a burning at the stake. The books were already dead, terminally rotted after years of neglect. If I had committed a crime, it was to let them get into this sorry state, not finally to put them out of their misery Read more...
“Welcome to the belly of the beast,” he says, “this is where the store really begins.”
While the upstairs is stocked with largely available current titles, this is the area where Kitchen Arts houses its rarest treasures — extensive collections of culinary journals, historic tomes and final copies of books that Waxman deems “significant contributions in their field,” as well as out-of-print editions that Waxman is saving until that right client comes along.
He offers an example: “They might come in and say, ‘I’m looking for a special signed boxed-edition of Richard Olney’s ‘The French Menu Cookbook.’ Yeah, we can do that.”
But how to choose which customers are worthy of such special consideration? The opinionated Waxman is as skilled at curating his clientele as he is at managing the store’s catalog.
“This book would be gone in 15 minutes if I put it out on the floor upstairs,” he says, pointing to a high corner shelf where a hardbound first edition of “White Heat,” by British bad boy chef Marco Pierre White, sits in pristine condition. “I don’t want to sell it to someone who’s going to put it on their shelf like a bowling trophy, but perhaps to someone who’s interested in post-World War II English cooking, to whom this would mean something.”
Before the tour is complete, Waxman heads to an even smaller back corner of the basement, a tiny vault of a closet that used to be the walk-in refrigerator when this address was a butcher shop. The shelves here contain what seems a perfect cross-section of his personal and professional interests — a collection of vintage Jewish cookbooks. There, one can find a 1960s stuffed cabbage recipe from the sisterhood of Congregation Brith Emeth near Pepper Pike, Ohio. In a Manischewitz book from the early 1930s, meanwhile, there are recipes for “farfel pudding No. 2,” “matzo schalet” and “vaffels” written with instructions in both English and Yiddish.
“These are suddenly in demand, now that people are rediscovering Yiddish,” Waxman says with the matter-of-fact tone of a sage who knew all along that such a resurgence would occur. But, of course, those new Yiddish scholars will have to travel to the Upper East Side and pay a visit to Waxman himself: “These,” he says, “these are not for sale.”
See Nach Waxman’s brisket recipe on the Jew and the Carrot and share your favorite brisket recipe.
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Nach Waxman is owner of one of the largest food bookstores in the country, Kitchen Arts & Letters, in Manhattan. From his perch behind the counter, he sees customers—famous chefs, not-famous line cooks, and civilians alike—streaming in to peruse his bountiful, unusual collection. Waxman shows us the basement, where hes got some truly rare books. And he shares an unlikely bookstore success story: beating Barnes & Noble.
IFQ Magazine recently caught up with legendary book publisher Barney Rosset to discuss his storied career and ventures into film and political opinions ; the occasion was marked by the DVD release of Obscene, a documentary on Rosset by filmmakers Neil Ortenberg and Daniel O’Connor, made available courtesy of Virgil Films and Entertainment alongside Arthouse Films. With both Grove Press and his literary magazine The Evergreen Review, Rosset introduced American society to a who’s who of iconic writers including Samuel Beckett, Harold Pinter, Jean Genet, David Mamet, Tom Stoppard, William S. Burroughs, Allen Ginsberg, Jack Kerouac, among many, many more. His progressive politics and belief in freedom of speech led him to champion such banned books as Tropic of Cancer, Lady Chatterly’s Lover, and Naked Lunch, all of which were subjected to obscenity trials that Rosset subsequently won, thus opening up free speech to a then-unparalleled degree. Below are some brief words from our conversation.
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Books have the power to transfix a reader. A turn of the page provides an alternate story to live, be it a line prose or a hefty epic. Moonbot Studios' animated short "The Fantastic Flying Books of Mr. Morris Lessmore" highlights the delight of literature through its very own story.
"The Fantastic Flying Books of Mr. Morris Lessmore" was one of five nominations for the 2012 Academy Awards' Best Animated Short category, announced Jan. 24. The Shreveport, Louisiana-based studio released the short as its first animation project.
Directed by William Joyce and Brandon Oldenburg, the 15-minute film draws from Hurricane Katrina, "The Wizard of Oz," Buster Keaton and, of course, a love for books. The story starts in New Orleans with the Keaton-like Mr. Morris Lessmore writing a book on the balcony of a hotel. A menacing storm swirls into town, blowing away houses and street signs, taking Mr. Lessmore and his unfinished book with it. Lessmore is transported to a land filled with fluttering novels; a land where he can dedicate his life to filling his book with the abundance of words he is now surrounded with.
"The Fantastic Flying Books of Mr. Morris Lessmore" has already won 13 awards, including "Best Animated Short" and "Audience Award Winner" at the Austin Film Festival, and "Best Animated Short" at the Cinequest Film Fest.
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In the brute physical world, and the one encompassed by medicine, there are all too many things that could kill you, don’t kill you, and then leave you considerably weaker. Nietzsche was destined to find this out in the hardest possible way, which makes it additionally perplexing that he chose to include the maxim in his 1889 anthology Twilight of the Idols. (In German this is rendered as Götzen-Dämmerung, which contains a clear echo of Wagner’s epic. Possibly his great quarrel with the composer, in which he recoiled with horror from Wagner’s repudiation of the classics in favor of German blood myths and legends, was one of the things that did lend Nietzsche moral strength and fortitude. Certainly the book’s subtitle—“How to Philosophize with a Hammer”—has plenty of bravado.)
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In 1951, George Whitman opened a bookshop-commune in Paris. George, 92, still runs his "den of anarchists disguised as a bookstore," offering free, dirty beds to poor literati, cutting his hair with a candle and gluing the carpet with pancake batter. More than 40,000 poets, travelers and political activists have stayed at Shakespeare & Co, writing or stealing books, throwing parties and making soup or love while living with George's generosity and fits of anger. Illustrious guests include Henry Miller, Anaïs Nin, Jacques Prévert, Allen Ginsberg, William Burroughs, Gregory Corso, Lawrence Ferlinghetti, James Baldwin and Richard Wright. Welcome to the makeshift utopia of the last member of the Beat Generation.
Portrait of a Bookstore as an Old Man
This list of 100 novels was drawn up by the editorial board of Modern Library. Where possible, book titles have been linked to either the original New York Times review or a later article about the book.
"Who knows what lurks in the stacks of the old abandoned library..." This is a fun movie about a young boy who discovers strange creatures living amongst the old books. For young and old alike...
Bookworm is a popular generalization for any insect which supposedly bores through books.
Actual book-borers are uncommon. Both the larvae of the death watch beetle (Xestobium rufovillosum) and the common furniture beetle (Anobium punctatum) will tunnel through wood and paper if it is nearby the wood.
A major book-feeding insect is the book or paper louse (aka booklouse or paperlouse). A tiny (under 1 mm), soft-bodied wingless Psocoptera (usually Trogium pulsatorium), that actually feeds on microscopic molds and other organic matter found in ill-maintained works (e.g., cool, damp, dark, and undisturbed areas of archives, libraries, and museums), although they will also attack bindings and other book parts. It is not actually a true louse.
Helene Hanff's book 84 Charing Cross Road had previously been a TV program and a stage play before it was converted into this 1986 film. The scene is New York, 1949: Anne Bancroft plays a struggling writer and passionate bibliophile, who answers an advertisement from a rare-volumes bookshop at 84 Charing Cross Road in London.
Lame Duck Books, a mainstay of Cambridge, Massachusetts' Harvard Square, will close its doors on September 25, 2010.
John W. Wronoski, who opened Lame Duck originally in Philadelphia in 1984, told the Harvard Crimson that the business was "hemorrhaging" money, "destroyed" by online competition.
"Nowadays people like myself who've devoted...50 years to this world have no means of competing again," he said.
"It was a way of earning an income without actually doing something that I considered odious, like work," he continued. "Not that you don't work an enormous amount in this, but it's completely pleasure."
Wronoski, who does not consider himself a bibliophile because he rejects a personal relationship with books, defined the role of rare booksellers as guardians:
"I maintain custody of these fabulous objects until the right person comes along to relieve me of them," he said. "For me, money is so much less interesting than these objects. I'm selling the best thing that you could possibly buy."
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Firmin is the runt of a litter of rats born in the basement of Pembroke Books, a ramshackle old bookstore run by the equally shambolic owner Norman Shine. Forced to compete for food, Firmin ends up chewing on the books that surround him. Thanks to his unusual diet, he acquires the miraculous ability to read. He subsequently develops an insatiable hunger for literature and a very unratlike sense of the world and his place in it. He is a debonair soul trapped in a rat's body¿
But a literary rat is a lonely rat and, spurned by his own kind, he thinks he recognises a kindred soul in Norman. Firmin seeks solace in the Lovelies of the local burlesque cinema and in his own imagination. But the days of the bookshop and of the close community around it are numbered. The area has been marked out for urban regeneration and soon the faded glory of the bookshop, the low-life bars, loan agencies and pawn shops will face the bulldozers.
Brilliantly original and richly allegorical, Firmin is brimming with charm and wistful longing for a world that treasures its seedy theatres, one-of-a-kind characters, and cluttered bookshops.
"In January of 2002," writes the neuroscientist Oliver Sacks, "I received a letter from Howard Engel, a Canadian novelist describing a strange problem."
On July 31, 2001, Engel woke up, dressed, made breakfast, and then went to the front door to get his newspaper. "I wasn't aware," he says in our NPR interview, "that it was any different from any other morning."
מצא עוד סרטים כאלה ב-Ein Hod עין הוד
Do you know that there is a certain sub-genre (sub-sub-genre?) of murder mysteries concerned with the world of authors, manuscripts, rare and deadly books - with the emphasis on deadly books?. Typically, they feature an indefatigable hero leaping around libraries in a race against time, unearthing cyphers, ancient manuscripts and clues hidden in old books.
Thrillers like this belong to a popular sub-genre called bibliomysteries, and as the name suggests, they all concern some sort of bookish skull-duggery. Book lovers love them but if you’re tempted to read one here are a few words of warning. Books can be fatal, as this eager reader is about to discover:
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short film teaser EXLIBRIS by Maria Trenor
Exlibris is a visual poem which pays tribute to old books, the shops that sell them and the pleasure of reading, through a single copy of "Don Quixote." Short film teaser edited by Josep Bedmar - Lacomida visuals
The Brattle Book Shop was founded in the Cornhill section of Boston in 1825 and has been in the hands of the Gloss Family since 1949. Over the years George and his son Kenneth built this shop into one of the largest antiquarian bookshops in the country.
Housed in a three-story building in the heart of Downtown Boston, The Brattle Book Shop carries an impressive stock of over 250,000 books, maps, prints, postcards and ephemeral items in all subjects. In addition to its general used and out-of-print stock, The Brattle Book Shop also maintains an inventory of collectibles, first editions and fine leather bindings in its rare book room.
Note: Cornhill Street in Boston was once known as the book selling centre of the USA. The shop being demolished was the last remaining bookshop in the Cornhill Street.(via British Pathe)
Ни славы, и ни коровы,
Ни тяжкой короны земной -
Пошли мне, Господь, второго,
Чтоб вытянул петь со мной.
Прошу не любви ворованной,
Не милости на денек -
Пошли мне, Господь, второго,
Чтоб не был так одинок;
Чтоб было с кем пасоваться,
Аукаться через степь,
Для сердца - не для оваций,-
На два голоса спеть;
Чтоб кто-нибудь меня понял,-
Не часто, но хоть разок,-
И с раненых губ моих поднял
Царапнутый пулей рожок.
И пусть мой напарник певчий,
Забыв, что мы сила вдвоем,
Меня, побледнев от соперничества,
Прирежет за общим столом.
Прости ему - он до гроба
Одиночеством окружен.
Пошли ему, бог, второго -
Такого, как я и как он...
Музыка Высоцкого на стихи Андрея Вознесенского для спектакля "Антимиры"
Andrey Andreyevich Voznesensky (Russian: Андре́й Андре́евич Вознесе́нский) (May 12, 1933, Moscow, USSR – 1 June 1, 2010, Moscow, Russia) was a Soviet and Russian poet and writer who has been referred to by Robert Lowell as "one of the greatest living poets in any language". He was one of Russia's "children of the 60s".
A large fire broke out in a grove on Mount Carmel Wednesday night, near the community of Ein Hod. At one point the fire threatened residents of the community, but firefighters managed to gain control of the flames after several hours. Students at the nearby Yemin Orde boarding school were evacuated safely.
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