Squeezing the ancient tunes of traditional Iranian music out of a guitar, Mohsen Namjoo -- called by some the “Iranian Bob Dylan“, performs his one-man show in an underground concert. His music evokes a merry vibration thumping under the coat of solemnity the streets of Tehran are wrapped with. The piece that starts with a typical image in mystic Persian poetry -- the beloved’s flying black locks, with “beloved” connoting the Creator. The poetic cliché breaks into pieces when the register of the language is all of a sudden catapulted into a colloquial Farsi, of frequent chat-up lines and borrowed Western words like “blonde.” The burlesque ends with a sarcastic one-word finale lamentingly trilled in a traditional mode: “hairdryer.” The creaky frame of strict traditionalism caging the range of guitar strings and the naturalism of informal modern Farsi is symbolic of the worn wobbly social and political structures which continue to awkwardly contain the liveliness of a pragmatic people. (read more)
See also my old Namjoo posts
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