Posing as a standard-issue musical romance, Gypsies turns out to be subliminal propaganda for Soviet collectivism. A band of freedom-loving gypsies are lured onto a Russian farm co-op, whose owners covet the vagabonds' horses. At first resisting the notion of working together for a common cause, the gypsies are soon happily pitching in with the farmers. Once the work is done, however, they revert to type, singing, dancing, and smooching in the moonlight. A few isolated fistfights and stabbings aside, everyone gets along beautifully. The Artkino Studio's publicity packet for Gypsies described the film as "the lyrical saga of a people forever wandering towards of dream of happiness." Well, sort of.
Posledniy tabor (1936)
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